Here's my normal workflow for processing digital photographs:
Shoot in Raw > Move to ACDSee Pro 4 for organization and processing > Open in PhotoLine 16.5 for final cropping, tweaking, etc. PL is great for this kind of work -- blazingly fast in 64-bit, plenty of tools for most purposes, compatibility with the popular plug-ins, actions, etc.
But PL falls way behind the others when it comes to photo repair.
I was reminded of this again when I took on a project to help my aunt get some old photographs ready for a digital scrapbook project.
I had over 100 scanned images -- b&w and color, old and new.
I began the process, opening the images from ACDSee Pro 4 to PhotoLine. For most, PL did a magnificent job. Color restoration and other challenges were no problem. Curves, layers and various tools did the job well. But when it came to cleaning up flaws such as spots and scratches, I abandoned PL in frustration. It took too long to get accurate repairs.
Instead, I opened PS Elements 9, selected the Spot Healing Brush with the Content-Aware option selected, and I was operating efficiently again. Select the appropriate size, click on a spot once, and it was replaced, blending into the background perfectly. I could move around the photograph without having to pick a selection area first. The tool did have problems making corrections near edges of another color, however. When it came to scratches, the PSE9 Healing Brush tool was no better than PL, requiring a selection area designation before starting each repair.
I then turned to PSPPX3, renewing an old acquaintance with the Blemish Fixer, which is a subset of the program's Makeover Tool. Set the size and the tool analyzes the area around the spot, one click and the repair is done, blending perfectly. With the size set correctly the tool is smart enough to know to exclude a line of a different color next to the blemish. For the scratches, I switched to the Scratch Remover tool, which computes its replacement from an analysis of areas parallel to the scratch. With the width set correctly and by selecting only short lengths, I was able to do the scratch repairs much faster than with PL's Copy Brush or PSE9's Healing Brush or Stamp Brush.
So, I wound up doing the remainder of the photo restoration work in PSPPX3, even the chores I had performed successfully with PL.
So, here's my plea again.... please update the Copy Brush and the Repairing Brush in PL 17. Make them intelligent to eliminate the step of selecting an adjacent area before the replacement is actually performed. These tools are extremely important in repairing old photographs.
Am I the only one here attempting to use PL for photo restoration work?
Bob
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