Nurz hat geschrieben:Herbert123 hat geschrieben:In a nutshell: rasterizing layers with Photoshop-specific functionality is the norm. We cannot (not should we) expect PSD files to open properly in other applications when those files include Photoshop-only features.
Problem is Photoline doesn't even come to that point.
The import of PSD files in Photoline is actually very good compared to other applications!
It imports:
- layer groups;
- layer masks;
- layer properties such as opacity and layer blend mode;
- common layer effects are supported (drop shadow, pattern, gradient, color overlays, inner & outer glow, stroke)**;
- smart objects are rasterized to a flattened layer (just like affinity Photo);
- common adjustment layers (curves, histogram, hue/saturation/gradient map/brightness&contrast);
- text layers (converted to rasterized layers, with hidden text layers retaining the text).
Great compared to many other applications.
**Photoline's layer effects such as emboss are rendered differently from Photoshop. Those must be rasterized first.
It is true that the PSD export deserves more tender care and love: at the very least I would like to see layer groups supported.
Although the problem remains that PSD was never meant as an exchange format, and as a format specification it is
massive. It includes backward support for 20 years of development, and 15 major Photoshop releases. It is entirely unrealistic to expect full compatibility with PSD files when even slightly older Photoshop versions have difficulty opening a file from the latest version due to newer features that were added to the latest version (art boards and multiple layer effect groups).
Nurz hat geschrieben:Herbert123 hat geschrieben:On the other hand, Photoshop even saves smart objects, adjustment layers, and so on, in a Tiff file. That is just insane, in my opinion. It turns the Tiff format into a proprietary Photoshop-only format, which completely misses the mark of the Tiff specification.
Haha! That insanity is one of my beloved features in PS. I don't have a single PSD in my disk because a ZIP-compressed TIFF saves me 30-60% of space, depending on the complexity of the image file.
You do realize that those Tiff files have the PSD data embedded in them? They serve as a type of compressed wrapper. You would get the same savings by archiving your psd files on a hard drive or partition that does real time compression (such as NTFS compression).
Tiff files were meant as an exchange format, and they can still serve like that as long as the "layered" option remains unused (no matter which application is used to create those files).
Nurz hat geschrieben:Herbert123 hat geschrieben:By writing "industry ready", you mainly mean Adobe file support? Or are other features missing in your opinion? (Honest curiosity)
The truth is Adobe has planted its roots deeply, since there was no real competition for Photoshop so far. Photoline and the Affinity suite (Corel maybe too) could change things, but that also requires a smooth transition for users. How can they move to another software leaving their files behind? Personally I don't use 3D and video in PS, and I don't mind for smart objects that much. But that's just me. Which format should someone convert hundreds or thousands of files into, and forget about PS once and for all, when Photoline can't flawlessly accept and produce compatible exchange formats such as TIFF, PDF, and EPS? No one in the industry will accept that. Let me deal with those properly, and I'm sold. Photoline rapes the TIFF specification as much as Adobe, yet they use different methods of doing so. I'll put it allegorically. I don't know if english is your native tongue, mine is not. Yet we communicate with eachother because we've learned to talk and write in a language common to both. Adobe has set the standards, for better or for worse, Photoline and the rest should be able to translate accordingly. I don't see any other way.
The trouble is that Adobe does not provide complete specifications for the EPS and PSD file formats. I can import many EPS files with Ghostscript activated in Photoline without a hitch. But some do not import at all, or are broken. When I check those broken EPS files in GS View, errors are displayed (saying the eps files were written incorrectly). Even Illustrator may have problems opening certain EPS files, with broken links depending on the version used.
CorelDraw, for example, will encounter the identical issues while opening these "broken" EPS files, and also relies on the GhostScript DLLs to improve its EPS import. The trouble is Adobe again: Illustrator can write data in EPS files which is incompatible with just about any other application outside the Adobe ecosystem. Whether that was done on purpose or not, I have no idea. I tend to look at it in a more positive light: the newer Illustrator features causing these discrepancies. (Btw, CorelDraw is the industry standard in China, I have read).
My opinion in this is that when PSD and EPS files are used as an exchange format between applications, the original creator MUST make certain these files are prepped properly. Many professional users are aware of this, and will check if their EPS and PSD files open correctly in alternative applications outside Adobe. But many other users, unaware of these issues, will just fire and forget.
I have worked in graphics design, pre-press, CG graphics, game design, and other industries for more than 25 years. And expecting a smooth transition from one application to a new one in terms of file format support is a pipe dream. One can hope for the best. Even so-called industry standard file formats support is all over the place.
Using your analogy (an allegory is something quite different - see how one word can confuse matters?): Adobe introduced new language constructs and words in their country. Yes, the fundamental syntax is still English, but when a British speaker start yapping away to most non-native English speakers, they will only understand half of it. Many expressions and words will be completely unfamiliar to them. Thus after the initial attempt, the British speaker start simplifying his/her English to make himself/herself understandable.
Unfortunately, Adobe is pretty much the British speaker who refuses to simplify, but rather convolute the language they speak. Whether by choice or happenstance (or both), I have no idea.
As for PDF, I will be short: PDF is a
FINAL format, and is just not intended as an exchange format to be imported for further editing. And Photoline is not a pdf editor. Nor is Illustrator, or InDesign, or Photoshop. If anyone is using PDF as an exchange/intermediate file format: that is the wrong workflow. They are meant to be viewed and printed.
I do agree with you that, in truth, Adobe is king in the publishing market. I still keep my Photoshop and Illustrator CS6 around for file conversions. EPS files that are troublesome I will open in Photoshop and save as a high resolution bitmap, or use Illustrator to flatten elements as much as possible, and then resave. I also found SVG often works better as an intermediate format (because it is a well described open standard).
Unfortunately, sometimes it is still a bit of a crap-shoot (even with Adobe's products), and I am forced to do a bit of trial & error.
For anyone having trouble importing certain EPS files (and some PSD files), the CS2 products can be downloaded for free now. They make for great file converters in these cases
And if you are dependent on full Adobe compatibility for your work and livelihood, I am afraid there is no way around the CC thing. I wish it was otherwise, but realistically spoken that remains the situation for now.